Carnival

We get questions...

Q. What does the term "flash" mean again?  

A.  Comes from the carnival world. It means an attraction, a dazzler, an eyeful designed to catch the "marks" attention as he walks through the state fair, seaport, circus, rodeo or strolls down the carnival midway.  

Flash is the bright design, the purple dog on the top shelf, the gleaming bakelight radio in orange, yellow and green, the zip, zap and pop that makes you reach in your wallet, suspend belief and throw as much dough as possible at the booth. In this case, you want the beautiful pin up girl, the brave tiger or the sailing ship memorialized on your person.

Flash is the top shelf. As opposed to "slum" which is the crap in boxes sitting in the dirt by the carneys feet. Slum is comprised of rubber snakes, frog clacker noise makers and those woven Chinese finger traps where the more you pull, the tighter they got. Slum is the red cellophane fish that would curl in your hand. Or not, telling everyone something about your personality.  

The term transferred over to the tattoo world. A good and bold sheet of tattoo flash would turn heads and stop 'em in their tracks. 

The Girl with the Dead Man's Tattoo

Scottish artist Jessica Harrison has her own exhibition  FLASH.  Harrison uses porcelain figurines that represent 19th century women. Interestingly enough women during that time who were considered ‘classy’ and ‘elegant’ often had these intense tattoos. Later on women in carnivals began to get them and the social value and tradition of women getting tattooed decreased significantly. It became something ‘cheap and gaudy’. Until today, of course.

 

These were sculpted by Harrison to display classic tattoos painted on to these stylish ladies. The tattoos resemble (represent) sailor style tattoos covering the women’s chests, arms and necks. Some are displayed with funky furniture and surroundings in the gallery. Some of the tattoos consist of clipper ships, swallows, skulls, hearts and many more classic tattoo imagery. In context, many of the designs almost can seem to be borderline gruesome. That’s just a reflection of the classic sailor and carnival style. The artist's skill in juxtaposing these onto the elegant forms is remarkable. The results look just great!

The show began May 15 and continues through June 24, 2014. Galerie L.J. In Paris, France.

This particular back piece depicts a skull and the playing cards, aces and eights, that  "Wild' Bill" Hickock was holding when he was shot in the back of the head at a saloon card table.

Wikipedia: Dead Man's Hand 

 Written by new LTP Intern Kamilla Tatka

 

Winning the Fat Lady

Here's Dotty, the tattoo artist. We have always been fascinated with the smiling big woman in the old photos.  One of her designs depicted a woman with butterfly wings floating as if in liberation.  She also had her day with the classic "Put her ol' foot through me heart, matey"  tattoo image.  Could this have been in sympathy for Major Mite? In 1942, Dainty Dotty, who would be Owen Jensen's future wife, worked with Major Mite (world's smallest man) at the Ringling Brothers Circus. Although they were on the circuit together, "America's Greatest Individual Attraction" apparently never won over the big lady. Major Mite was still with Ringling throughout the 1940's until dejected, he slumped back to Portland Oregon to be near his family.
More of this story has to yet be uncovered. Its hard to say if Dainty Dotty knew Owen Jensen in 1942. He was in traveling back and forth between Norfolk, VA and Michigan, were she she met him. By 1944, she was working at the Palace of Wonders in Detroit as a "fat gal." She probably grew tired of folks pointing at her and laughing. Rightly so. This would seem to be a tough road to go down. She might have watched the dapper tattooist and thought this looked a little more genteel than her current employment. In 1945, Dot and Owen married, loaded up the black, five window Ford coupe and joined the great migration for the sunshine state, California. 
Major Mite letterhead with tattoo eagle drawing on back.  
Keep tuned for more on Dotty. Thanks to Carmen Nyssen for her research.

The mystery box

Many of our items at lift trucks have an interesting story to tell, whether it is a “Jesus Saves” sign from a glue-sniffer in a flophouse (See it here), or a shoebox with multiple price listings (See it here) . However, one item we have still remains a complete mystery. This teller box dates to around the 20’s, but its purpose stumps even the LTP experts.

 

At first it seemed like a standard salesman model. Salesmen would travel around with scale models of fireplaces, bathtubs, etc., so they could show what they where selling (without actually carrying around a fireplace). But, we realized this piece was too large and fragile to be carried around door-to-door. Also bank teller boxes where part of each bank’s design, and not something that could just be replaced easily.

 

The mirror is the real unknown in this item.  It is angled mirror where the teller would usually sit, and it gives the illusion of seeing a large background (since it reflects what’s being seen on the side). Naturally, we though this piece could be part of our carnival collection. We have rigged gambling wheels and milk jugs that are impossible to knock over, so why not something with mirrors? Our friend brought up the old “girl to gorilla” illusion, where a girl would “magically” turn into a gorilla at carnivals. The girl would stand in front of a two-way mirror, and the lights would turn off and illuminate a gorilla behind her (See a video of it here). Obviously gorillas aren’t two inches tall, but it shows how mirrors where commonplace illusions for carnies.

 

This illusion would most likely have to with money (which is surprising because carnivals are usually so honest). It appears to double whatever money/valuables are put inside the box because of the mirror image. Maybe this was used as a prize/betting box to make the pot seem a lot bigger than it actually was. The teller window could be a novelty guard for the “huge” prize. But, we realized there was nothing on the top to keep grubby hands from stealing, so unless this piece is incomplete we can’t write it off as a carnie trick.

"Doubling" your money

Then we researched to see if banks actually used boxes like these, and found some really interesting results. Before the use of ATMs, a few banks actually used mirrors in remote locations. Separate from the bank, there would be stands where a car could drive up, and speak into a mirror to a teller underground. The teller would use a pulley to get the money to the driver, and this way he would be safe from robberies. Maybe the banks even advertized having “TMs” (teller machine), although you probably couldn’t use it at a bar at 4am.

 

We also saw one instance of an actual bank using mirrors. Back when actually walking into a bank to get money was popular, one owner saw a unique solution to the rush hours. To have lots of room on the ground floor, a Long Island bank set up its notes department on the 2nd floor (which was very common). However, during peak hours, the tellers would get overwhelmed with running upstairs all the time. So they had they tellers upstairs, and the customers would speak into an angled mirror to get funds lowered to them.

This still doesn’t explain why there would be a small model of the teller box , we’ve heard of collecting model trains, but model banks? Also the mirror isn’t facing up/down, and doesn’t have pulleys.

 

Maybe this model was used to practice for an Ocean’s 11-or age appropriate to the 1920’s, a Bonnie and Clyde style robbery? Who knows? If you do, please post your answer to one-up the Lift Trucks experts. We will select the best answer and give the winner a LTP T-shirt.